Tilt shift photography – we’re loving that!

Wednesday 22nd February 2012  by Neil Dicken  0 comments

‘Tilt-shift photography’ is a unique, almost playful type of photography in which a camera is manipulated so that the real, life-sized subject look like miniature-scale models.

The phrase describes the use of camera movements on small and medium format cameras and also sometimes refers to the use of tilt for selective focus.

Sometimes the term is used when a shallow depth of field is simulated with digital postprocessing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Why not have a go yourself if you have an Iphone:  Art&Mobile TiltShift Generator.

Below are a few of our favourite examples for you to have a look at. We’re loving that!


 

Creating windows into Shropshire’s history

Wednesday 21st September 2011  by admin  5 comments

We created these unusual images in August and September 2011 by carefully selecting photographs taken many years ago in the Ironbridge Gorge, then holding them up at the same location and taking a fresh picture.

By carefully matching the old with the new – the new photograph has the unnerving effect of inserting historical scenes directly into modern life. The ‘windows into history’ project is being displayed during celebrations to mark the 25th anniversary of Ironbridge Gorge becoming a World Heritage Site.

The Ironbridge Gorge Museum Trust was so impressed with the 16 photographs taken by matm’s creative team, Neil Dicken and Jamie Doran, that it asked to use them to help in their anniversary celebrations.

Neil said: “The images create a real visual and mental double-take. The beauty of the approach is its simplicity, though the trick is to select the historical photograph that creates the most vivid match in the modern scene. “The photographs are up to 150 years old, so allow the viewer to visualise what some of the Ironbridge Gorge looked like – hopefully they have provided a glimpse into the past.”

Jamie said: “We took both internal and external images of buildings. It is fascinating to see just how much some buildings have changed and in other cases, just how little they have changed. I particularly like the images with people in them, especially where you can see people walking from the present day, seemingly into the past.

“We were inspired by a project called ‘Looking into the Past’ by American photographer Jason E Powell www.jasonepowell.com. When we saw his images we realised straight away that the heritage of the Ironbridge Gorge here in Shropshire lends itself perfectly to a similar project.”

The Ironbridge Gorge Museum Trust lent photographs from its collection for the project. The images can be viewed in the Iron Bridge Tollhouse at the World Heritage Festival in Ironbridge which takes place on Saturday 24th September.

Paul Gossage Director of Marketing & PR said: “I was thrilled to see matm using our historic collection of images in such an innovative way. Publishing the images is a great way to celebrate the 25th anniversary of the World Heritage Site. I am sure they will be much enjoyed by residents and visitors alike.”

Details of the Festival are available at www.ironbridge.org.uk.

 

Thanks also for the help of MarionBlockley Heritage Management

Would love to know what you think or share your links in the comments at the base of the full post …

Capture your world in 3D

Wednesday 4th May 2011  by Tom Blockley  0 comments

I was browsing around and came across this site Photosynth, how cool is that.

Take a look at the court yard outside matm, this a quick one that I took out side earlier, best of all its a FREE iOS app. Hover over the image and drag around to take a look.

To view online you will need to have  Silverlight Installed

We love amazing design – and you don’t have to look far to find it. In fact, why not just look into the eyes of the next person you meet? Here’s a stunning close up of an eye showcased in Bored Panda, the online magazine dedicated to the world’s most quirky artwork. You’ll find more here.

Amazing close-up of the human eye captured by Armenian physics teacher Suren Manvelyan

 

Which machine is the real star of this picture?

Audi R8 Spyder: 0 to 60 miles per hour in 3.6 seconds. Nationwide Platforms scissor lift: 0 to 10 metres (32 feet) in 55 seconds. Put them together and you have one of the most memorable advertisements of 2010.

matm PR client Nationwide Platforms played a key role in bringing to life Audi’s dramatic ‘Mirror, Signal, Outmanoeuvre’ TV ad for its new supercar. Rogue Films, the makers of the advert, hired a mixture of electric scissor lifts and booms for the shoot, which took place at the Excel Centre in London’s Docklands.

We know through experience how important it is to have the correct equipment for video shoots and photoshoots and, the machines pictured above look perfect to support lighting rigs. We thought the image was striking enough to share with you – so come on – which machine is the real star of the picture?

As with many public relations agencies, here at matm we receive a good number of offers from publications to place advertorials – often called colour separations or ‘seps’ – on behalf of our clients.

Colour separations are paid-for articles, usually accompanied by a picture (which is where the colour separation term comes from), writes Andy Comber, PR Manager at Shrophire-based marketing, design, web and design agency matm. They became increasingly common in the 1980s when advertising revenue fell sharply – and can also be called editorial reproductions, product insertions or digital profiles in web media.

These offers can be viewed by PR companies and clients alike with some degree of suspicion. Quite rightly, the client doesn’t want to spend money without considering the ROI.

PR professionals like to think they can generate stories that are so compelling that publications will jump at carrying them for no charge. And it doesn’t look good to keep asking clients to dip their hands in their pockets for every Tom, Dick and Harry media opportunity that comes along.

All that said, with the right degree of caution, colour seps can be useful elements of the PR mix.

They are an integral part of the marketing and revenue model for many publications. So paid-for stories may not mean the publication is poor quality or that readers don’t value the content. Also, a colour sep allows the public relations agency and client to exert control over content, image use and page placement in a publication aimed precisely at a desirable target audience.

As an example, matm recently secured for a client a two page feature with multiple pictures in a national building renovation title at a cost of £350. The article generated eight keen sales/information inquiries through the publication’s internal feedback system alone.

So here are some tips when using colour seps as a marketing tactic:

* If there is time, ask to be sent copies of the publication to assess suitability– and check web pages
* Be selective – make sure you are clear about the target audience you want and what is being offered
* Ask yourself if the publication is right for your brand in terms of style and quality
* Ask about readership and reach. Is the publication ABC audited?
* Don’t accept the first price offered – in most cases there is room to haggle
* If there’s no movement on price, negotiate on content, position on page and which page you are being offered, for example the right hand page and the outside edge of the page are favoured positions
* Check the size of any picture offered
* Make sure the article includes a call to action box or strap with contact details
* Be aware that most publications can offer online content as part of the mix
* Require copy and design proof approval
* Think twice about using a publication’s in-house writers. In most cases, they won’t understand your needs
* Don’t pay up front. If a publication doesn’t deliver all it promises, you can withhold payment or negotiate a lower price
* Use targeted advertorials as part of a coordinated marketing communications strategy, also involving web content, e-shots and social media
* Monitor the response. Did the article generate interest or sales inquiries?

Ultimately, the decision should focus on task and objective. Knowing clearly what you want to achieve and targeting marketing and PR spend accordingly should be the key test for whether to pay for publicity or not.

A picture tells many thousands of customers

Friday 10th September 2010  by admin  0 comments

As a journalist expected to write great copy, I often went out on particular stories knowing that if I didn’t come back with a photo in my pocket (this was when pictures were made of paper) I would have failed, and miserably, writes Andy Comber, PR manager at Shropshire PR specialist matm. Good photography can turn an okay story into a great one.

One of our recent projects is a good example. RS Miller Roofing in Dudley brought an 18th Century dovecote at Chillington Hall, near Brewood in Staffordshire, back to life in spectacular fashion. It was an impressive project. And the pictures taken for us by photographer Paul Watkins showed it off to the full. He uses a remote controlled helicopter or a telescopic mast to get excellent aerial shots.

Front page splash for RS Miller Roofing

Roofing Magazine gives RS Miller two page spread

We offered the story and pictures to Roofing Magazine, the industry’s No 1 publication and the first reaction was: “What great pictures!” So great, that the image was used on the July/August front page and more in the two page spread inside (and this was not an advertorial). I like to think the copy was great too, but getting the images right can make all the difference.

Unveiling the Toulouse

Thursday 2nd September 2010  by admin  0 comments

Another fantastic masterpiece from bath specialist Victoria + Albert.

matm have been working on the new luxury brochure including this fabulous new bath

… more details soon but we thought we show you their new creation just after it’s official launch day.

Visit www.vandabaths.com/uk for further details

Shedding Light on Famous Royal Ceremony

Thursday 26th August 2010  by admin  0 comments

Guardsmen march under light directed from Panther powered access platforms - click to view full size

Matm’s lengthy experience of working at a wide range of events ensured we found the best possible photographer to support our client Panther, one of the UK’s leading suppliers of powered access. We knew this event was a bit different, especially when we were dealing directly with Adrian Beckett, the Colour Sergeant of the Band of the Welsh Guards.

It was clear there was a requirement to meet the very highest standards, in terms of technical performance and safety, expected at such a prestigious event. We made sure that our photographer was fully compliant with stringent security requirements and that he could gain access to all the areas needed – we hope you agree that he came back with a stunning shot?